SATURNO

Saturno is that it shows just how adept Rauw is at world-building. Little skits and interludes, such as “Rauleeto,” made up of voicemails from Rauw’s friends wondering where he’s gone, shape a neat plotline about the artist getting lost in some unknown galaxy. The album’s aesthetic identity is full of edgy blue aliens, cyberpunk suits, and pearly spacecrafts. He’s good at piecing sonic moods and colors into cohesive concepts, maximizing sleek visuals, intricate choreography, and deep-rooted references to bring stories alive. One of the best examples might be “Punto 40,” a revival of a Nineties hit by Puerto Rican duo .

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